YouTube comments never a great source of information, admittedly suggest that certain photographers are churning out video after video that are more about plugging their presets than they are about offering something insightful or educational. On the one hand, I wonder if there's a clique of well-established YouTube photography celebrities who are flogging their presets to a naive audience in order to generate some passive income from very little work and zero overhead.
Having still not bought a preset, I'm interested to find out about the community's experience. If you like a photographer's editing, you can replicate it quickly by buying one of their presets, but how much are you going to learn as a result, and what are you going to achieve by replicating their look and feel? Sure, you can use the preset as a base from which to startand you can begin figuring out how certain looks are achieved by digging into the various settings, but that time might easily be spent doing a few tutorials, developing your own style, and establishing a better understanding of the editing process.Īs a result, your future images will have more potential when you go on to apply your newly acquired knowledge. Photographer James Popsys didn't hold back in one of his videos last year: "If you're buying people's presets, you're buying a shortcut that takes you out of the creative process," he explained. And there's some truth to this: in an era when photographic success is equated with the number of Instagram followers, it's no wonder that people want to buy a formula that feels like it's guaranteed to get likes and comments. One friend suggested that they're great if you want to create Instagram cliches, but not much use for anything else. The response from the handful of people I asked was all but unanimous: they're a waste of money spend your time learning instead.
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In the past, I've downloaded a few free packs, clicked laboriously through every preset and decided that they were all useless: blunt tools creating over-edited results and deploying settings that I could easily have achieved myself had I wanted to ruin one of my photos. In the six years that I've been using Lightroom, I've never paid for a preset. This begs the question: is it worth handing over your hard-earned cash when you might be better off investing your time rather than your money?
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Look for a full review in the coming days.Nowadays, it seems that every YouTube photography celebrity has a batch of presets that they want you to buy. I personally like the PC-based Mastin presets quite a bit, so I’m looking forward to trying out the smartphone equivalents. The goal of the app is to act as a companion for film photographers and to get all-digital shooters interested in trying out the analog art form. There are three film types, including Kodak and Fujifilm color versions, and Ilford black-and-white presets. So, the presets may actually take a bit of getting used to at first, especially if you’re used to the super-contrasty, saturated filters offered by some other apps. You get a pretty robust set of tools, including tweaks to the initial film presets.Įach film preset is actually based on research that compares it to the real film stock. The Darkroom piece of the app is for editing photos in a non-destructive format. A finished image from Filmborn that can be shared and saved. The settings allow you to pick the look of several different lenses, as well as multiple aspect ratios common with film cameras. It also has a highlight warning function that tells you when you’re going to blow out your whites, so you can tone down the exposure. You can adjust white balance and exposure compensation on the fly. There’s a camera portion, which actually provides live previews of the film-like filters. Like many more robust photo apps, Filmborn is built from several different pieces. Now, Mastin has announced its long-awaited mobile app called Filmborn for iOS.
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The Mastin Labs Lightroom and Photoshop presets have developed a pretty devoted following, due in large part to the company’s borderline neurotic devotion to make presets that look like actual film scanned in a pro lab. The slick interface has lots of film-emulation options.
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